Airline hostess Ann Parker is fired for being undignified when she sang to calm the passengers during a storm. Mike Connors, publicity man for Frankie Carle's orchestra, invites her to try out as the band's vocalist since the regular singer, Mary Lou, had just quit the band on the eve of an engagement at a swanky New York night club. Encouraged by her boyfriend, Steve Roberts, Ann lands the job and assumes the name of "Mary Lou", a trademark almost for Frankie Carle singers. But the departed Mary Lou shows up and threatens to sue if she is not rehired. Ann returns to her former job. Meanwhile, Steve locates the woman who was the original Mary Lou with the band, and urges Mike to keep the current Mary Lou off the bandstand until he can return with Ann.

Jazz pianist Mary Lou Williams was a genius ahead of her time. From child prodigy to "Boogie-Woogie Queen" to groundbreaking composer to mentoring some of the greatest musicians of all time, she never ceased to astound those who heard her play. But for a Black woman in the early 1900s, life as a star did not come easy.

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Shot in black and white by the Warholian Factory "icon" Gerard Malanga, American actress, author and figurative painter Mary Woronov confronts the camera with a whip.

Johanna limits her visits to the apartment where her mother and her sister Laura live. Since the divorce of her parents, the family relationship clearly degraded. After a tense weekend, Johanna takes the subway back to her own apartment. On the way, she meets Lou, a lonely kid who ran away from home.

An irreverent and sometimes offensive dark comedy in a world where Jovi (God) and Lou (Satan) negotiate the fate of all humanity, one game piece at a time.

Leo, an orphaned mute girl who can't fit in, escapes from the shelter where she lives in order to go to a fishing competition that reminds her of her parents. On the way, Lou, a non-conformist with no job or benefit, finds her hitchhiking and, without knowing Leo's real purpose, agrees to take her in his car, thinking he is taking her back home. Together they will embark on an adventure in which, despite the obstacles they encounter along the way, they will become inseparable and discover the extraordinary meaning of the word family.

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This time Moore portrays 40-something divorcee Mary Brenner who, after the fashion magazine she was writing for goes out of business, is reduced to writing a consumer-assistance column called Helpline for The Chicago Eagle, a seedy tabloid.

After Mary Tyler Moore's long running sitcom ended, she tried to venture in comdey-variety. This was one of her attempts. It follows the same formula used in such shows like Carol Burnett. There are comdey sketches and musical numbers. And also there are behind the scenes, sketches, wherein the cast are not at work, and there is either a comedy routine and/ or musical number, usually done by Mary.